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Tomorrow's Dream : ウィキペディア英語版
Vol. 4 (Black Sabbath album)

''Vol. 4'' is the fourth studio album by English rock band Black Sabbath, released in September 1972. It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal at best.
==Recording==
In June 1972, Black Sabbath reconvened in Los Angeles to begin work on their fourth album at the Record Plant Studios. The recording process was plagued with problems, many due to substance abuse issues. In the studio, the band regularly had large speaker boxes full of cocaine delivered. While struggling to record the song "Cornucopia" after "sitting in the middle of the room, just doing drugs", Bill Ward feared that he was about to be fired from the band. "I hated the song, there were some patterns that were just horrible", Ward said. "I nailed it in the end, but the reaction I got was the cold shoulder from everybody. It was like 'Well, just go home, you're not being of any use right now.' I felt like I'd blown it, I was about to get fired". According to the book ''How Black Was Our Sabbath'', Bill Ward "was always a drinker, but rarely appeared drunk. Retrospectively, that might have been a danger sign. Now, his self-control was clearly slipping." Iommi claims in his autobiography that Ward almost died after a prank-gone-wrong during recording of the album. The Bel Air mansion the band was renting belonged to John DuPont of the DuPont chemical company and the band found several spray cans of gold DuPont paint in a room of the house; finding Ward naked and unconscious after drinking heavily, they proceeded to cover the drummer in gold paint from head to toe.
The ''Vol. 4'' sessions could be viewed as the point in time when the seeds were planted for what would eventually be the demise of the classic Sabbath line-up. As bassist Geezer Butler told ''Guitar World'' in 2001: "Yeah, the cocaine had set in. We went out to L.A. and got into a totally different lifestyle. Half the budget went on the coke and the other half went to seeing how long we could stay in the studio...We rented a house in Bel-Air and the debauchery up there was just unbelievable." In the same interview, Ward said: "Yes, ''Vol. 4'' is a great album, but listening to it now, I can see it as a turning point for me, where the alcohol and drugs stopped being fun." Speaking to ''Guitar World'' in 1992 Iommi admitted, "LA was a real distraction for us, and that album ended up sounding a bit strange. The people who were involved with the record really didn’t have a clue. They were all learning with us, and we didn’t know what we were doing either. The experimental stage we began with ''Master of Reality'' continued with ''Vol. 4'', and we were trying to widen our sound and break out of the bag everyone had put us into." In the liner notes to the 1998 live album ''Reunion'' Iommi reflected, "By the time we got to Bel Air we were totally gone. It really was a case of wine, women and song, and we were doing more drugs than ever before."
In his autobiography ''I Am Ozzy'', singer Ozzy Osbourne speaks at length about the drugged out atmosphere surrounding the sessions, stating that "In spite of all the arsing around, musically those few weeks in Bel Air were the strongest we'd ever been" but admitted "Eventually we started to wonder where the fuck all the coke was coming from...I'm telling you: that coke was the whitest, purest, strongest stuff you could ever imagine. One sniff, and you were king of the universe." Osbourne also recounts the band's ongoing anxiety over the possibility of being busted, which only worsened after they went to the cinema to see ''The French Connection'', a film about two undercover New York cops busting an international heroin-smuggling ring. "By the time the credits rolled," Osbourne recalled, "I was hyperventilating." Iommi describes the scene in his memoir ''Iron Man: My Journey Through Heaven & Hell with Black Sabbath'', "like Tony Montana in the movie ''Scarface'': we'd put a big pile (of cocaine) on the table, carve it all up and then we'd all have a bit, well, quite a lot." In 2013, Butler admitted to ''Mojo'' magazine that heroin, too, had entered the picture, although he claimed "We sniffed it, we never shot up...I didn't realize how nuts things had gotten until I went home and the girl I was with didn't recognize me."

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